Metal Underground

http://www.anus.com/metal/about/interviews/beherit/

Novo album - "Engram" já gravado.

Antes...


Agora...


Vamos ver o que sairá daqui...sendo Beherit uma banda que tanto me marcou, sinto-me um pouco reticente. Vamos ver.

Ok!.......tou para ver!

Pés de Frodo.

Anus.com não é muito fiável, mas a ver vamos.

Estranho...

Acho muito estranho...mas comoestamos numa onde de regressos, desde à 5 anos para cá, já não digo nada.

não quero ser agoirento mas...isto vai dar em fiasco

As festas devem ter deixado marcas no Sr Holocausto... Mas espero para ver o que vai sair dali...

Estou curioso...

Isto é dos regressos mais estranhos dos últimos tempos...o Holocausto Vengeance ( a.k.a. Nuclear Holocausto a.k.a. Marko Laiho...será que é irmão do Alexi??) ainda há uns anos dizia que Beherit devia ser deixado em paz, e que NUNCA voltariam. Agora, além do regresso, tudo indica que irá ser um album de Black Metal, ao estilo de que Beherit nos habituou (Drawing Down The Moon/ The Oath Of Black Blood. Fica um pequeno extracto da entrevista no Anus (entrevista no anus...heh!):



On Drawing Down the Moon, you achieved a unique dark and bassy sound which was not in favor in black metal at the time. How was this done? Did you replicate it on the new album?

Back in 1993, recording studios were still mostly analog. The guitar sound was as simple as Boss Heavy Metal guitar distortion pedal through an old Marshall bass amplifier and cabinet. I don't remember what microphones were used, but everything was done in a few days. No time to remake or mix, thus the raw sound. The studio is still up and running. Very professional people there. The home of Tarot.
We didn't want to reproduce the sound of Drawing Down the Moon, but as always try look for new soundspheres.

How was the early blackmetal scene different from how people perceive it now, and what were some challenges you faced as one of the few early blackmetal bands?

People used to describe our bands, like "some satanic stuff", but today Black Metal has become a well known symbol for the majority, mostly because of the Internet. Most of these younger fans have pretty twisted image of the scene of old days. People didn't like black metal at all, everything was so small, you kind of know all the music makers in the scene (via flyers in tape trading scene, + fanzines) Most of the people fucking hated us BEHERIT, IMPALED NAZARENE... Drawing Down The Moon was self-funded by me and I had to sell my car, became homeless, and everything I had was that master tape and no label interested to release it, before Spinefarm. I am still thankful to 'em, because of the advance royalty.

Do you think that given the same stimulus, two logical beings will have similar responses?

The response to given stimulus is much about the previous experience to similar contact in sense.
And if this is so, does it not mean that anyone who encounters a similar experience to someone else, has the same forces interacting on them? That if we have one stood out in the rain, we can all know what it is like? Maybe this shows how experience and intuition can exist on the same level. Experience is also important, because it enables us to store memories as symbols, and then trade on those symbols in law, art and conversation.

Like those others have never experienced of getting wet in the rain? They would still feel the same as the one who's in the rain? Then there should be a sense contact within this tribe that can somehow communicate lower/higher states. I know this is possible, but very rare in normal conditions... we cannot "release the self" that easily, because of our fear (of dying).

What are your influences, and are these shared among band members, and if not wholly, what other influences do they have? Other metal musicians have mentioned Kraftwerk, for example; were there metal and ambient works that influenced you more than anything else? Any classical or folk music?

We all four are big fans of BLASPHEMY, BLACK WITCHERY, IMPIETY, MANTICORE and other fast stuff. Sodomatic plays drums in punk bands and listens to industrial music. He's a vinyl collector. Abyss, the bassist is very much into Viking stuff, like BATHORY and FALKENBACH. He has also his own projects, more technical style, like he could have more riffs per song than BEHERIT on entire album. Serpent is working on Spikefarm and listens mostly to rehearsal and demo material from unsigned bands. THE LORD DIABOLUS was the biggest influence on this new album.


Esta última parte dá-me algumas esperanças de que posso vir algo próximo da negritude de outros tempos...tantas velas queimei ao som de Beherit...bons tempos.

Alastor R. Escreveu:Isto é dos regressos mais estranhos dos últimos tempos...

Do you think that given the same stimulus, two logical beings will have similar responses?

The response to given stimulus is much about the previous experience to similar contact in sense.
And if this is so, does it not mean that anyone who encounters a similar experience to someone else, has the same forces interacting on them? That if we have one stood out in the rain, we can all know what it is like? Maybe this shows how experience and intuition can exist on the same level. Experience is also important, because it enables us to store memories as symbols, and then trade on those symbols in law, art and conversation.

Like those others have never experienced of getting wet in the rain? They would still feel the same as the one who's in the rain? Then there should be a sense contact within this tribe that can somehow communicate lower/higher states. I know this is possible, but very rare in normal conditions... we cannot "release the self" that easily, because of our fear (of dying).

Eu não disse? As trips de ácido e as raves tem um preço a ser pago...

Estou confiante que sai de ali bomba! Só desconfio que não seja nada javarda em termos de produção. É esperar!

Pela diferença de imagem até receio o que sairá do som....

deixem la o rapaz mostrar trabalho, e depois mandam.se postas LOL

a ver, a ver...