Sepultura: tópico oficial (Reset à poll)

[diabox]

eh pa, a mim soou.me muito... se calhar tivesse high hopes e tal e coisa LOL

[Last Light]

lol foi uma junção do groove do chaos com a pujança do schizophrenia fácil de fazer e compor, mas soa bem, carai!

[Kustu Rica]

Só para deitar umas achas para a fogueira:

http://www.roadrunnerrecords.com/blabbe ... mID=150369

Cody Thomas of Revolver magazine recently conducted an interview with Max Cavalera (SOULFLY, CAVALERA CONSPIRACY, SEPULTURA). A couple of excerpts from the chat follow below.

Revolver: A few years ago, you reunited with [your brother and former SEPULTURA bandmate] Igor to form the CAVALERA CONSPIRACY. You two have a new album, "Blunt Force Trauma", coming out in March. Is it as straightforward as the last album?

Max: Yeah, it's even more. Marc [Rizzo, guitar] was saying, "Some of this shit sounds like CANNIBAL CORPSE." Igor's playing really good. His playing reminds me of when he was in SEPULTURA, top form. Like in "Arise" or "Beneath the Remains", and he was going super-fast and just killer energy from the drums. We wanted to make shorter songs, so a lot of the songs are a-minute-and-a-half or two-minutes long and kind of feel like "Raining Blood" a little bit when you listen to them, which is also different for us. We had one guest song with Roger [Miret] from AGNOSTIC FRONT. He sings in a song called "Lynch Mob" I think he's probably my favorite vocalist out of the whole New York hardcore era.

Revolver: Since we're talking about SEPULTURA, what influenced the beginning of that band?

Max: There was a band in Brazil that made us really want to get serious about starting a band. They were called DORSAL ATLÂNTICA and they were like the Brazilian VENOM. Really heavy, super-Satanic, painted faces, inverted crosses in their forehead and shit. Just crazy shit live. And we were like, "Dude, we've got to get like those guys. Those guys are brutal." That was one of the inspirations that made me go, "If they are Brazilian and they are doing it, then we can do it."

Revolver: SEPULTURA in their current lineup recently announced they'd be playing the album "Arise" in its entirety. But weren't you the primary writer for SEPULTURA around then?

Max: At home I did the same style of writing I do with SOULFLY. I give credit to the guys. Igor came up with a lot of the original beats, like to "Territory". As we got better, he played better. The only musician that didn't improve much at the time was Paulo [Jr., bass]. I think the first album he recorded for was "Roots". Everything else was me and Andreas [Kisser, guitar] doing the bass because he couldn't really play that good. But we were friends, so we were like, "Yeah you can stay in the band, we won't kick you out. When we play, we'll just turn you really down so nobody hears."

Read the entire interview from Revolver magazine.

[Last Light]

O Paulo até hoje gravou uns dois álbuns, se tanto: o Andreas ainda continua a gravar o baixo em estúdio (acho que o Paulo não gravou o "A-lex").

[Brilhando]

Essa fez-me lembrar a estória do Waldemar Chóriça e o Wolfheart

Na senda de um dos posts da página anterior, também se consta que o Max quando ouviu o 1º de Korn foi a correr mudar as afinações para ficar com o som "nu-metal" para o Roots, lulz.

[Jorgetime]

Na senda de um dos posts da página anterior, também se consta que o Max quando ouviu o 1º de Korn foi a correr mudar as afinações para ficar com o som "nu-metal" para o Roots, lulz.

Consta que o primeiro album dos Korn tem uma guitarra com 7 cordas (Head) e outra tunned half-step down (Munky).
*tosse* E o Roots é 2 guitarras em drop b *tosse* Já para não referir que os albuns (o 1º dos KoRn e o Roots) são ambos extremamente originais de maneiras diferentes. A única semelhança é que têm ambos um groovalhão com kulhões de tonelada.

E depois do Max sair os Sepultura continuaram com um som semelhante, ao passar dos anos esqueceram um bocado os sons tribais e o groove pesadão, mas era mais parecido com o roots do que com Beneath the Remains ou Arise.

[Last Light]

A única coisa que gosto de Korn é mesmo a afinação das guitarras, tudo o resto passo. O "Against" é o "Roots" Pt.2, com ocasionais malhas rápidas fodidas como "Reza", com a presença do jão gordo. Felizmente que no "Roorback" a cena tribal já estava camuflada e no "A-Lex" foi com o carai.

[Vooder [RIP 2011/01/03]]

A-Lex é o melhor disco pós Chaos AD, ouçam-no

[Brilhando]

Consta que o primeiro album dos Korn tem uma guitarra com 7 cordas (Head) e outra tunned half-step down (Munky).
*tosse* E o Roots é 2 guitarras em drop b *tosse* Já para não referir que os albuns (o 1º dos KoRn e o Roots) são ambos extremamente originais de maneiras diferentes. A única semelhança é que têm ambos um groovalhão com kulhões de tonelada.

Longe de mim perceber kulhões sobre afinações e afins, mas até o artigo da wikipeida sobre o Roots refere algo assim parecido com a dita estória:

The inspiration for Sepultura's new musical direction was twofold. One was the desire to further experiment with the music of Brazil, especially the percussive type played by Salvador, Bahia samba reggae group Olodum.[3] Another innovation Roots brought was the inspiration taken from the sound of the Deftones and Korn - especially the latter's debut, with its heavily down-tuned guitars.[4]

[Last Light]

A-Lex é o melhor disco pós Chaos AD, ouçam-no

Isto

[Jorgetime]

Longe de mim perceber kulhões sobre afinações e afins, mas até o artigo da wikipeida sobre o Roots refere algo assim parecido com a dita estória:

The inspiration for Sepultura's new musical direction was twofold. One was the desire to further experiment with the music of Brazil, especially the percussive type played by Salvador, Bahia samba reggae group Olodum.[3] Another innovation Roots brought was the inspiration taken from the sound of the Deftones and Korn - especially the latter's debut, with its heavily down-tuned guitars.[4]

Sim, consegue-se ver as semelhanças tanto no som como nas composições das músicas, esta ultima mais com o primeiro de Deftones.

No entanto,

A Dropped B tuning is an alternate tuning for a guitar where the strings are tuned to B-F♯-B-E-G♯-C♯. It can also be put down as B-F♯-B-E-G♯-C♯ or B-G♭-B-E-A♭-D♭. This tuning was popularized by Sepultura on their Roots album and has been since used extensively in groove and nu metal. It is often used by Wes Borland while performing in Limp Bizkit, is the main tuning used by Slipknot, and was used by Mudvayne on their L.D. 50 album. This tuning is considered to be the ideal tuning for metal musicians who don't wish to fall under the grindcore genre but still use deep and powerful riffing possibilities. Due to this it has been used by bands such as Attack Attack!, Bring Me the Horizon (on their early material), Demon Hunter, Ektomorf, Parkway Drive, Isis, Machine Head; all of which are considered mainstream metal bands. It is also frequently used in alternative metal and hard rock by bands such as Chevelle, Drowning Pool, Trapt, Sevendust, Stone Sour, Hail the Villain, Thousand Foot Krutch, and Skillet, among others

De referir também que a maioria das bandas de Death Metal e Deathcore usam guitarras ainda mais "down-tunned".

[Kustu Rica]

[Miguel79]

E quem fala assim não é gago!

[Wolfheart66]

Incha Porco

[Miguel Linkin [RIP 2012/09/25]]

Por mim até podiam tocar o Master of Puppets, que aquela voz, não me levam a lado nenhum.