Corpus Christii - "Luciferian Frequencies" (2011) (Album do mês na LOUD #126)
Enviado: sábado jul 02, 2011 11:25 am
Aqui vai umas reviews do novo album.
Dentro del Black Metal europeo (exceptuando el escandinavo), hay pocas formaciones del calibre que poseen los portugueses CORPUS CHRISTII. Esta proyecto unipersonal de Nocturnus Horrendus (acompañado por tres músicos de sesión), lleva trece años rellenando nuestra cabeza de gritos desgarradores, letras oscuras, riffs rellenos de ira y ritmos endemoniados, por lo que cada nuevo trabajo suyo siempre es bien recibido para los amantes del género.Su nuevo trabajo es “Luciferian Frequencies” y consta de una intro de poco menos de minuto y medio para ir “amenizando” una velada compuesta por nueve temas rellenos de la esencia de toda la vida de CORPUS CHRISTII.
En primer lugar, podríamos ir reseñando las características y los elemento propios de dicha banda, los cuales están siempre plasmados a la perfección en cada plástico lanzado al mercado. Con una atmósfera agonizante en la que se introducen unos gritos desoladores y repletos de asco y rabia, algunos de los temas toman un cáliz totalmente opuesto a otras pistas en las que la velocidad y los riffs afilados son las señas de identidad.El trabajo guitarrero es digno de resaltar ya que, con algunos más que interesantes riffs y otros pasajes en los que la agresividad parece tomarse un respiro, son la válvula de escape ideal para tomar algo de aire. El nivel técnico de CORPUS CHRISTII es excepcional, y es más, en mi opinión, ha ido mejorando con el paso de los discos, siendo cada uno de ellos, una obra más perfeccionada que la anterior.La voz rasgada es la típica black metalera con diferentes matices que no todos los cantantes del estilo usan, es decir, gritos totalmente exasperados que denotan una frialdad inmensa.La base rítmica también es de gran nivel, por lo que todo ello unido a una gran producción y a unas buenas composiciones repletas de simbolismos, hacen que este “Luciferian Frequencies”, sea otra gran obra por parte de CORPUS CHRISTII.
En resumen, parece ser que CORPUS CHRISTII jamás decepcionarán ni un ápice a sus fans ya que hasta el momento (que no es poco), cada trabajo mejora o iguala el nivel de los anteriores, haciendo que en mi opinión, haya pocas formaciones de la calidad de este proyecto de Nocturnus Horrendus.
Candlelight Records (2011)
Puntuación: 9,5/10
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Corpus Christii is actually a Latin word meaning ‘body of Christ’ which makes it a seemingly popular moniker for use by Christian metal bands. These are not to be mistaken for the similarly named Corpus Christi’s, either the God-fearing metalcore mob or the long-defunct white power metal band from America. Luciferian Frequencies is the seventh full length from this more Satanically aligned Corpus Christii, and their first since signing to Candlelight Records. This is, by and large, solely the work of one man; Nocturnus Horrendus although with the addition of Menthor on drums for this release and while I have not heard a great deal by them until recently this album has definitely won me over.
Opening ‘The Gate’ rattles in immediately sounding formidable and fierce and it doesn’t take long to work out this is no limp half-arsed black metal by numbers affair. ‘The Owl Resurrection’ has a true air of menace and evil wafting around a sturdy, crushing riff getting the album off to a flying start. I love the slower pace that ‘Crystal Glaze Foundation’ gets off to, placing a great emphasis on creating a really humongous, threatening atmosphere within the music and they very effortlessly switch between this and more fast paced sections giving a distinct feeling of chaos. The vocals are very well applied, at times really seeming to get carried away with things letting out cacophonous howls and brimming with evil. There is something deeply unnerving about the hellish rasps of NH, and through the demonic chants of ‘The Styx Reflection’ channels the luciferian frequencies with the utmost conviction.
This whole album is shrouded in darkness and has a certain mystical quality that I really connected with. ‘Picatrix’ plays out like an ancient grimoire, the hollow cries resonating within a cloying ambience. At times there are some really beleaguering guitars that lurk menacingly rather than going straight for the chase, which work especially well adding extra layers of menace to the music. ‘Deliverer Of Light’ certainly delivers; again the emphasis is very much on building a menacing and subterranean atmosphere and drawing the listeners mind into a world inhabited by demons and where evil reigns. Things get especially down-tempo with ‘The Infidel’s Cross’ where guitars scrape against the speakers in a whirlwind of stifled chaos. There is little criticism I have for this album; it has really grown on me on repeat listens and it just has tons of atmosphere and the evil, misanthropic feel that black metal is all about. Excellent stuff!
------------------------------------------------------
This release draws on very conventional Norwegian-inspired black metal, which means furious blastbeats and oddly melodic tremolo-riffs with strange and sometimes even dissonant harmonies. And that in itself, when executed properly, is not a bad thing - and on this release, it is executed properly.
But Corpus Christii combine these with other elements such as melodic passages, and inherently melodic blastbeat-and-tremolo riffage as well as heavy doomy and sometimes gothic-sounding passages and elements which are almost avant-garde sounding. There are even a couple of groovy and thrashy passages every now and then.
While the music is - true to its black metal nature - relatively minimalistic, there are a couple of epic elements, such as dark quires and some chords that just have a grand sound and feel to them.
I like how Corpus Christii make sure that the songs are not too long and monotonous by having relatively varied and, at times, quite dynamic compositions. I know that many black metal fans appreciate repetition, and there is plenty of that, too, on this album, but Corpus Christii do not overdo it, and that is just something I, as a music fan in general, appreciate.
The vocals sound like an angrier and more aggressive version of Attila Csihar, but you will also hear the typical black metal snarl every now and then.
The production is cold and bleak (a good thin in a black metal context) with one guitar in each speaker and the bass in the middle (you can actually hear the bass), and the drums are quite well defined in terms of their sound and presence in the overall sound. The production is probably lo-fi by today's standards, but it is not unbearable to listen to, and you can hear everything that is going on.
Personally, I think that "Luciferian Frequencies" is a fine black metal release which contains enough conventional elements that it ought to appeal to many fans of the genre, but at the same time it is characterized, I think, by innovativity and contributes positively to the genre.
Dentro del Black Metal europeo (exceptuando el escandinavo), hay pocas formaciones del calibre que poseen los portugueses CORPUS CHRISTII. Esta proyecto unipersonal de Nocturnus Horrendus (acompañado por tres músicos de sesión), lleva trece años rellenando nuestra cabeza de gritos desgarradores, letras oscuras, riffs rellenos de ira y ritmos endemoniados, por lo que cada nuevo trabajo suyo siempre es bien recibido para los amantes del género.Su nuevo trabajo es “Luciferian Frequencies” y consta de una intro de poco menos de minuto y medio para ir “amenizando” una velada compuesta por nueve temas rellenos de la esencia de toda la vida de CORPUS CHRISTII.
En primer lugar, podríamos ir reseñando las características y los elemento propios de dicha banda, los cuales están siempre plasmados a la perfección en cada plástico lanzado al mercado. Con una atmósfera agonizante en la que se introducen unos gritos desoladores y repletos de asco y rabia, algunos de los temas toman un cáliz totalmente opuesto a otras pistas en las que la velocidad y los riffs afilados son las señas de identidad.El trabajo guitarrero es digno de resaltar ya que, con algunos más que interesantes riffs y otros pasajes en los que la agresividad parece tomarse un respiro, son la válvula de escape ideal para tomar algo de aire. El nivel técnico de CORPUS CHRISTII es excepcional, y es más, en mi opinión, ha ido mejorando con el paso de los discos, siendo cada uno de ellos, una obra más perfeccionada que la anterior.La voz rasgada es la típica black metalera con diferentes matices que no todos los cantantes del estilo usan, es decir, gritos totalmente exasperados que denotan una frialdad inmensa.La base rítmica también es de gran nivel, por lo que todo ello unido a una gran producción y a unas buenas composiciones repletas de simbolismos, hacen que este “Luciferian Frequencies”, sea otra gran obra por parte de CORPUS CHRISTII.
En resumen, parece ser que CORPUS CHRISTII jamás decepcionarán ni un ápice a sus fans ya que hasta el momento (que no es poco), cada trabajo mejora o iguala el nivel de los anteriores, haciendo que en mi opinión, haya pocas formaciones de la calidad de este proyecto de Nocturnus Horrendus.
Candlelight Records (2011)
Puntuación: 9,5/10
------------------------------------------------------------------
Corpus Christii is actually a Latin word meaning ‘body of Christ’ which makes it a seemingly popular moniker for use by Christian metal bands. These are not to be mistaken for the similarly named Corpus Christi’s, either the God-fearing metalcore mob or the long-defunct white power metal band from America. Luciferian Frequencies is the seventh full length from this more Satanically aligned Corpus Christii, and their first since signing to Candlelight Records. This is, by and large, solely the work of one man; Nocturnus Horrendus although with the addition of Menthor on drums for this release and while I have not heard a great deal by them until recently this album has definitely won me over.
Opening ‘The Gate’ rattles in immediately sounding formidable and fierce and it doesn’t take long to work out this is no limp half-arsed black metal by numbers affair. ‘The Owl Resurrection’ has a true air of menace and evil wafting around a sturdy, crushing riff getting the album off to a flying start. I love the slower pace that ‘Crystal Glaze Foundation’ gets off to, placing a great emphasis on creating a really humongous, threatening atmosphere within the music and they very effortlessly switch between this and more fast paced sections giving a distinct feeling of chaos. The vocals are very well applied, at times really seeming to get carried away with things letting out cacophonous howls and brimming with evil. There is something deeply unnerving about the hellish rasps of NH, and through the demonic chants of ‘The Styx Reflection’ channels the luciferian frequencies with the utmost conviction.
This whole album is shrouded in darkness and has a certain mystical quality that I really connected with. ‘Picatrix’ plays out like an ancient grimoire, the hollow cries resonating within a cloying ambience. At times there are some really beleaguering guitars that lurk menacingly rather than going straight for the chase, which work especially well adding extra layers of menace to the music. ‘Deliverer Of Light’ certainly delivers; again the emphasis is very much on building a menacing and subterranean atmosphere and drawing the listeners mind into a world inhabited by demons and where evil reigns. Things get especially down-tempo with ‘The Infidel’s Cross’ where guitars scrape against the speakers in a whirlwind of stifled chaos. There is little criticism I have for this album; it has really grown on me on repeat listens and it just has tons of atmosphere and the evil, misanthropic feel that black metal is all about. Excellent stuff!
------------------------------------------------------
This release draws on very conventional Norwegian-inspired black metal, which means furious blastbeats and oddly melodic tremolo-riffs with strange and sometimes even dissonant harmonies. And that in itself, when executed properly, is not a bad thing - and on this release, it is executed properly.
But Corpus Christii combine these with other elements such as melodic passages, and inherently melodic blastbeat-and-tremolo riffage as well as heavy doomy and sometimes gothic-sounding passages and elements which are almost avant-garde sounding. There are even a couple of groovy and thrashy passages every now and then.
While the music is - true to its black metal nature - relatively minimalistic, there are a couple of epic elements, such as dark quires and some chords that just have a grand sound and feel to them.
I like how Corpus Christii make sure that the songs are not too long and monotonous by having relatively varied and, at times, quite dynamic compositions. I know that many black metal fans appreciate repetition, and there is plenty of that, too, on this album, but Corpus Christii do not overdo it, and that is just something I, as a music fan in general, appreciate.
The vocals sound like an angrier and more aggressive version of Attila Csihar, but you will also hear the typical black metal snarl every now and then.
The production is cold and bleak (a good thin in a black metal context) with one guitar in each speaker and the bass in the middle (you can actually hear the bass), and the drums are quite well defined in terms of their sound and presence in the overall sound. The production is probably lo-fi by today's standards, but it is not unbearable to listen to, and you can hear everything that is going on.
Personally, I think that "Luciferian Frequencies" is a fine black metal release which contains enough conventional elements that it ought to appeal to many fans of the genre, but at the same time it is characterized, I think, by innovativity and contributes positively to the genre.